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Movie Reviews

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‘Osama bin Laden’ gimmicky, occasionally enlightening
“Where in the World is Osama bin Laden?” — To say that “Super Size Me” director’s Morgan Spurlock latest documentary is a gimmick would be a gross understatement. It’s also a given — that’s Spurlock’s trademark modus operandi.

‘Stop-Loss’ well-intentioned, uneven
For her first film since 1999’s “Boys Don’t Cry,” the raw drama that earned Hilary Swank the first of her two best-actress Academy Awards, Kimberly Peirce initially wanted to make a documentary about soldiers who had fought in the Iraq war.

‘Untraceable’ is deplorably gratuitous
“Untraceable” is one of those deplorably gratuitous movies that wants to have it both ways, but gets nothing right.

‘Atonement’ flawlessly crafted

‘Sweeney Todd’ a perfect fit for Burton and Depp’s dark sensibilities

Well-crafted if familiar ‘Orphanage’ achieves subtle scares

Denzel Washington’s ‘Great Debaters’ a solid if formulaic feel-good tale

Romantic ‘Atonement’ a flawlessly crafted study of jealousy and repentance

The Golden Compass’ is visually elaborate but cold to the touch

‘Kite Runner’ a touching tale of friendship, despite convenient twists

Visit ‘No Country’
Llewelyn Moss is a decent-enough guy who makes a poor decision.

Last-man-on-Earth saga ‘I Am Legend’ strikingly shot, then turns cheesy

Ellen Page shines as pregnant teen in the clever comic charmer ‘Juno’

Chinese to allow Olympic athletes to have Bibles

Clooney shows off range in ‘Michael Clayton’
“Michael Clayton” might have been a standard thriller — one that’s as generic and forgettable as the title itself — were it not for some sharp writing from Tony Gilroy and an intelligent, subtly powerful performance from George Clooney.

‘We Own the Night’ too standard
In James Gray’s “The Yards,” Mark Wahlberg played an ex-con drawn back into crime by buddy Joaquin Phoenix.

‘Moon’ documentary captures tingly optimism of lunar landing

‘Trade’ awkwardly takes on the tough topic of sex slavery

Visceral ‘Kingdom’ raises complex questions, mainly comes up with pat answers

‘Balls of Fury’ a copy of sport comedies, with only some slapstick smarts

'The Hunting Party’ a slyly absurd, rock ’n’ roll war movie

‘Balls of Fury’ a copy of sport comedies, with only some slapstick smarts

Reynolds shines in ‘The Nines,’ an ambitious take on the metaphysical

Strong performances, but ‘Champ’ takes aim at too many issues

Rowan Atkinson’s ‘Mr. Bean’s Holiday’ takes cute but slight holiday

‘Superbad’ is super good movie
I was told by an editor that I was going to be the first person on the planet to write a negative review of “Superbad,” but it’s just not in me. Let’s face it, the movie is awesome and there is nothing anyone can do about it.

‘Rocket Science’ an observant, unpredictable high school comedy

‘Rush Hour 3’ a lazy, formulaic attempt at cashing in one more time

Pfeiffer shines as a wicked witch in the amusing ‘Stardust’

‘Simpsons’ humor-packed but not ‘excellent’

Lame ‘Chuck & Larry’ trots out obvious gay stereotypes, then turns preachy

‘Transformers’ mostly worth it
Staff writer Justin Cripe gives "Transformers" 3 1/2 maple leaves.

New Potter, same old magic
Harry Potter seems to be living the same school year over and over. And it’s starting to wear thin.

‘Order of the Phoenix’ spins more of the same old magic

Just say ‘I don’t’ to the lame, painfully strained ‘License to Wed’

'Die Hard' resurrects '80s-style action

'Live Free or Die Hard’ resurrects ’80s-style action

Moore offers persuasive, if one-sided, look at health care with ‘Sicko’

'Fantastic Four' still a bore

1408’ checks out as fresh, creepy tale of hotel hauntings

Angelina Jolie’s ‘A Mighty Heart’ chronicles terror tragedy of slain newsman Daniel Pearl

‘Hostel: Part II’ is gorier than the original, and even more absurd

Third 'Pirates' long, convoluted, fun

Based on true events, ‘Gracie’ is a well-intentioned, formulaic sports movie

‘Bug’ begins life as an intriguing thriller, metamorphosizes into a mess

‘Day Night Day Night’ a minimalist, maddening look at suicide bombing

‘The Ex’ is a flat, desperate comedy

Keri Russell is radiant in rich, bittersweet ‘Waitress’

Sarah Polley’s ‘Away From Her’ a strikingly precise first film

Rage virus festers in lame sequel ‘28 Weeks Later’

Lohan’s off-screen antics distract in ‘Georgia Rule,’ but only for so long

‘Disturbia’ well worth a look
Four out of five leaves

Gere pulls fantastic fast one in Hughes fraud-tale ‘The Hoax’

The Reaping’ a bombastic hodgepodge of biblical mumbo jumbo

‘Shooter’ doesn’t hit the mark
The name of the movie is “Shooter,” and for a while director Antoine Fuqua is right on target with this claustrophobic tale of conspiracies, lies and double-crosses.

’The Lookout’ a thrilling, beautifully drawn character drama

Semi-dull ‘Blades’ offers a few decent laughs

‘Premonition’ lacks foresight to present worthy ending

Rock has something to say with ‘Wife,’ but still lacks finesse

‘Snake’ has a heart

‘The Host’ an intense, wickedly funny update of classic Asian monster flicks

‘Bridge to Terabithia’ an adventure worth taking
4 out of 5 leaves
I first discovered Terabithia about 16 years ago. As a young bookworm, my copy of Katherine Paterson’s book was well worn from many readings.

‘Ghost Rider’ not much of a Marvel
1 out of 5 leaves
When the recent wave of live-action movie versions of Marvel comics started, many Marvel aficionados, myself among them, were overjoyed.

Chains of love: ‘Black Snake Moan’ is pulpy but unexpectedly sweet

Idi Amin’s son criticizes portrayal of his father in 'Last King of Scotland’

Allen, Travolta and friends are stuck in neutral with ‘Wild Hogs’

At the crossroads of Europe and language, Switzerland is the land of movie subtitles

‘Gray Matters’ aims for ‘40s screwball comedy but lacks chemistry

Hannibal the Cannibal sinks in ‘Rising’

'Music and Lyrics’ a weird hybrid

'Epic Movie' falls short on creativity

‘Alpha Dog’ a great movie about bad people
4 out of 5 leaves

When a guy hears that a movie was directed by the same person who gave America the tear-jerker “The Notebook,” he’s likely to not give the film a second thought.
In the case of “Alpha Dog,” go against that instinct.

The derivative ‘Smokin’ Aces’ packed with sleazy, two-dimensional characters

Western ‘Seraphim Falls’ is solid technically, unremarkable dramatically

‘Children of Men’ has timely message
Three out of five maple leaves

Movie Review: ‘Freedom Writers’ offers lightweight look at school of hard knocks
Two stars out of four.
Hilary Swank and the makers of “Freedom Writers” have the solution to all the troubles facing public-school classrooms seething with racial intolerance and hatred.

Film review: The fractured fairy tale ‘Happily N’Ever After’ tramples through ‘Shrek’ land

Rocky is back in the ring

‘The Holiday’ a homage to classic romantic comedies
Three stars out of four

‘Happyness’ well-acted but predictable
Two stars out of four.

"We Are Marshall’ too glossy to make you feel anything

’The Good Shepherd’ an intriguing but overlong look at the early CIA

Blond Bond is blah

‘Pursuit of Happyness’ well-acted but predictable

‘Dreamgirls’ is technically dazzling but hard to take seriously

‘Home of the Brave’ offers pale tale of Iraq vets’ homecoming

Emotional remoteness hamstrings ‘Breaking and Entering’

Familiar 'Nativity Story' worth viewing

‘Blood Diamond’ an intense look at the horrors of the African gem trade

‘Happy Feet’ does have a plot
Reviewer gives it four out of five leaves.

At the Movies: ‘10 Items or Less’ could make do with less

‘Borat’ OK, not quite glorious
Borat has a joke, and it’s on all of us.

'Deja Vu’ aims to be more complicated than the typical action flick
November 16, 2006

Daniel Craig debuts as James Bond

At the Movies: ’Fast Food Nation’ has its moments, but mostly meanders

‘Saw’ not getting dull
There is a lot of blood in “Saw III.” No, seriously. A lot.
In what has become an annual Halloween tradition, the third film in the “Saw” franchise hit theaters recently.

'Man of the Year' disappointing

The Guardian
Riveting, engaging and entertaining. Three words I never planned to use in reference to a Kevin Costner movie since “Waterworld.” But in “The Guardian,” Costner’s performance may very well rescue his near-drowned career.

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